Helen Keller on the Importance of Opening the Doors of Our Being to Good

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From Optimism, An Essay by Helen Keller

Thus my optimism is grounded in two worlds, myself and what is about me. I demand that the world be good, and lo, it obeys. I proclaim the world good, and facts range themselves to prove my proclamation overwhelmingly true. To what is good I open the doors of my being, and jealously shut them against what is bad. Such is the force of this beautiful and wilful conviction, it carries itself in the face of all opposition. I am never discouraged by absence of good. I never can be argued into hopelessness. Doubt and mistrust are the mere panic of timid imagination, which the steadfast heart will conquer, and the large mind transcend.

[...] I long to accomplish a great and noble task; but it is my chief duty and joy to accomplish humble tasks as though they were great and noble. It is my service to think how I can best fulfil the demands that each day makes upon me, and to rejoice that others can do what I cannot. Green, the historian, tells us that the world is moved along, not only by the mighty shoves of its heroes, but also by the aggregate of the tiny pushes of each honest worker; and that thought alone suffices to guide me in this dark world and wide. I love the good that others do; for their activity is an assurance that whether I can help or not, the true and the good will stand sure.

I trust, and nothing that happens disturbs my trust. I recognize the beneficence of the power which we all worship as supreme—Order, Fate, the Great Spirit, Nature, God. I recognize this power in the sun that makes all things grow and keeps life afoot. I make a friend of this indefinable force, and straightway I feel glad, brave and ready for any lot Heaven may decree for me. This is my religion of optimism.

Helen Keller Defines the Struggle with Evil As A Sort of Mental Gymnastic

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From Optimism, An Essay by Helen Keller

It is a mistake always to contemplate the good and ignore the evil, because by making people neglectful it lets in disaster. There is a dangerous optimism of ignorance and indifference. It is not enough to say that the twentieth century is the best age in the history of mankind, and to take refuge from the evils of the world in skyey dreams of good. How many good men, prosperous and contented, looked around and saw naught but good, while millions of their fellowmen were bartered and sold like cattle! No doubt, there were comfortable optimists who thought Wilberforce a meddlesome fanatic when he was working with might and main to free the slaves.

I distrust the rash optimism in this country that cries, “Hurrah, we’re all right! This is the greatest nation on earth,” when there are grievances that call loudly for redress. That is false optimism. Optimism that does not count the cost is like a house builded on sand. A man must understand evil and be acquainted with sorrow before he can write himself an optimist and expect others to believe that he has reason for the faith that is in him.

I know what evil is. Once or twice I have wrestled with it, and for a time felt its chilling touch on my life; so I speak with knowledge when I say that evil is of no consequence, except as a sort of mental gymnastic. For the very reason that I have come in contact with it, I am more truly an optimist. I can say with conviction that the struggle which evil necessitates is one of the greatest blessings. It makes us strong, patient, helpful men and women. It lets us into the soul of things and teaches us that although the world is full of suffering, it is full also of the overcoming of it.

My optimism, then, does not rest on the absence of evil, but on a glad belief in the preponderance of good and a willing effort always to cooperate with the good, that it may prevail. I try to increase the power God has given me to see the best in everything and every one, and make that Best a part of my life. The world is sown with good; but unless I turn my glad thoughts into practical living and till my own field, I cannot reap a kernel of the good.

Before the Soul Dawn - Helen Keller on Her Life Before Self-Consciousness

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From The World I Live In, by Helen Keller

Before my teacher came to me, I did not know that I am. I lived in a world that was a no-world. I cannot hope to describe adequately that unconscious, yet conscious time of nothingness. I did not know that I knew aught, or that I lived or acted or desired. I had neither will nor intellect. I was carried along to objects and acts by a certain blind natural impetus. I had a mind which caused me to feel anger, satisfaction, desire. These two facts led those about me to suppose that I willed and thought. I can remember all this, not because I knew that it was so, but because I have tactual memory. It enables me to remember that I never contracted my forehead in the act of thinking. I never viewed anything beforehand or chose it. I also recall tactually the fact that never in a start of the body or a heart-beat did I feel that I loved or cared for anything. My inner life, then, was a blank without past, present, or future, without hope or anticipation, without wonder or joy or faith.

It was not night—it was not day.
.      .      .      .      .
But vacancy absorbing space,
And fixedness, without a place;
There were no stars—no earth—no time—
No check—no change—no good—no crime.

My dormant being had no idea of God or immortality, no fear of death.

I remember, also through touch, that I had a power of association. I felt tactual jars like the stamp of a foot, the opening of a window or its closing, the slam of a door. After repeatedly smelling rain and feeling the discomfort of wetness, I acted like those about me: I ran to shut the window. But that was not thought in any sense. It was the same kind of association that makes animals take shelter from the rain. From the same instinct of aping others, I folded the clothes that came from the laundry, and put mine away, fed the turkeys, sewed bead-eyes on my doll's face, and did many other things of which I have the tactual remembrance. When I wanted anything I liked,—ice-cream, for instance, of which I was very fond,—I had a delicious taste on my tongue (which, by the way, I never have now), and in my hand I felt the turning of the freezer. I made the sign, and my mother knew I wanted ice-cream. I "thought" and desired in my fingers. If I had made a man, I should certainly have put the brain and soul in his finger-tips. From reminiscences like these I conclude that it is the opening of the two faculties, freedom of will, or choice, and rationality, or the power of thinking from one thing to another, which makes it possible to come into being first as a child, afterwards as a man.

Since I had no power of thought, I did not compare one mental state with another. So I was not conscious of any change or process going on in my brain when my teacher began to instruct me. I merely felt keen delight in obtaining more easily what I wanted by means of the finger motions she taught me. I thought only of objects, and only objects I wanted. It was the turning of the freezer on a larger scale. When I learned the meaning of "I" and "me" and found that I was something, I began to think. Then consciousness first existed for me. Thus it was not the sense of touch that brought me knowledge. It was the awakening of my soul that first rendered my senses their value, their cognizance of objects, names, qualities, and properties. Thought made me conscious of love, joy, and all the emotions. I was eager to know, then to understand, afterward to reflect on what I knew and understood, and the blind impetus, which had before driven me hither and thither at the dictates of my sensations, vanished forever.

I cannot represent more clearly than any one else the gradual and subtle changes from first impressions to abstract ideas. But I know that my physical ideas, that is, ideas derived from material objects, appear to me first an idea similar to those of touch. Instantly they pass into intellectual meanings. Afterward the meaning finds expression in what is called "inner speech." When I was a child, my inner speech was inner spelling. Although I am even now frequently caught spelling to myself on my fingers, yet I talk to myself, too, with my lips, and it is true that when I first learned to speak, my mind discarded the finger-symbols and began to articulate. However, when I try to recall what some one has said to me, I am conscious of a hand spelling into mine.

It has often been asked what were my earliest impressions of the world in which I found myself. But one who thinks at all of his first impressions knows what a riddle this is. Our impressions grow and change unnoticed, so that what we suppose we thought as children may be quite different from what we actually experienced in our childhood. I only know that after my education began the world which came within my reach was all alive. I spelled to my blocks and my dogs. I sympathized with plants when the flowers were picked, because I thought it hurt them, and that they grieved for their lost blossoms. It was two years before I could be made to believe that my dogs did not understand what I said, and I always apologized to them when I ran into or stepped on them.

As my experiences broadened and deepened, the indeterminate, poetic feelings of childhood began to fix themselves in definite thoughts. Nature—the world I could touch—was folded and filled with myself. I am inclined to believe those philosophers who declare that we know nothing but our own feelings and ideas. With a little ingenious reasoning one may see in the material world simply a mirror, an image of permanent mental sensations. In either sphere self-knowledge is the condition and the limit of our consciousness. That is why, perhaps, many people know so little about what is beyond their short range of experience. They look within themselves—and find nothing! Therefore they conclude that there is nothing outside themselves, either.

However that may be, I came later to look for an image of my emotions and sensations in others. I had to learn the outward signs of inward feelings. The start of fear, the suppressed, controlled tensity of pain, the beat of happy muscles in others, had to be perceived and compared with my own experiences before I could trace them back to the intangible soul of another. Groping, uncertain, I at last found my identity, and after seeing my thoughts and feelings repeated in others, I gradually constructed my world of men and of God. As I read and study, I find that this is what the rest of the race has done. Man looks within himself and in time finds the measure and the meaning of the universe.

Helen Keller on the Spiritual Nature of Beauty and Vision

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From The World I Live In, by Helen Keller

According to all art, all nature, all coherent human thought, we know that order, proportion, form, are essential elements of beauty. Now order, proportion, and form, are palpable to the touch. But beauty and rhythm are deeper than sense. They are like love and faith. They spring out of a spiritual process only slightly dependent upon sensations. Order, proportion, form, cannot generate in the mind the abstract idea of beauty, unless there is already a soul intelligence to breathe life into the elements.

Many persons, having perfect eyes, are blind in their perceptions. Many persons, having perfect ears, are emotionally deaf. Yet these are the very ones who dare to set limits to the vision of those who, lacking a sense or two, have will, soul, passion, imagination. Faith is a mockery if it teaches us not that we may construct a world unspeakably more complete and beautiful than the material world. And I, too, may construct my better world, for I am a child of God, an inheritor of a fragment of the Mind that created all worlds.

There is a consonance of all things, a blending of all that we know about the material world and the spiritual. It consists for me of all the impressions, vibrations, heat, cold, taste, smell, and the sensations which these convey to the mind, infinitely combined, interwoven with associated ideas and acquired knowledge.[…] What would odours signify if they were not associated with the time of the year, the place I live in, and the people I know?
The result of such a blending is sometimes a discordant trying of strings far removed from a melody, very far from a symphony.[…] But with training and experience the faculties gather up the stray notes and combine them into a full, harmonious whole.[...]

The infinite wonders of the universe are revealed to us in exact measure as we are capable of receiving them. The keenness of our vision depends not on how much we can see, but on how much we feel. Nor yet does mere knowledge create beauty. Nature sings her most exquisite songs to those who love her. She does not unfold her secrets to those who come only to gratify their desire of analysis, to gather facts, but to those who see in her manifold phenomena suggestions of lofty, delicate sentiments.

Helen Keller on Imagination as the Key to Grasping the Beauty of the World

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From The World I Live In, by Helen Keller

...the mind is as large as the universe. […] a house with which I am not familiar has for me, at first, no general effect or harmony of detail. It is not a complete conception, but a collection of object-impressions which, as they come to me, are disconnected and isolated. But my mind is full of associations, sensations, theories, and with them it constructs the house. The process reminds me of the building of Solomon's temple, where was neither saw, nor hammer, nor any tool heard while the stones were being laid one upon another. The silent worker is imagination which decrees reality out of chaos.

Without imagination what a poor thing my world would be! My garden would be a silent patch of earth strewn with sticks of a variety of shapes and smells. But when the eye of my mind is opened to its beauty, the bare ground brightens beneath my feet, and the hedge-row bursts into leaf, and the rose-tree shakes its fragrance everywhere. I know how budding trees look, and I enter into the amorous joy of the mating birds, and this is the miracle of imagination. [...]

The only lightless dark is the night of ignorance and insensibility. We differ, blind and seeing, one from another, not in our senses, but in the use we make of them, in the imagination and courage with which we seek wisdom beyond our senses.

It is more difficult to teach ignorance to think than to teach an intelligent blind man to see the grandeur of Niagara. I have walked with people whose eyes are full of light, but who see nothing in wood, sea, or sky, nothing in city streets, nothing in books. What a witless masquerade is this seeing! It were better far to sail forever in the night of blindness, with sense and feeling and mind, than to be thus content with the mere act of seeing. They have the sunset, the morning skies, the purple of distant hills, yet their souls voyage through this enchanted world with a barren stare.

The calamity of the blind is immense, irreparable. But it does not take away our share of the things that count—service, friendship, humour, imagination, wisdom. It is the secret inner will that controls one's fate. We are capable of willing to be good, of loving and being loved, of thinking to the end that we may be wiser. We possess these spirit-born forces equally with all God's children. Therefore we, too, see the lightnings and hear the thunders of Sinai. We, too, march through the wilderness and the solitary place that shall be glad for us, and as we pass, God maketh the desert to blossom like the rose. We, too, go in unto the Promised Land to possess the treasures of the spirit, the unseen permanence of life and nature.

The bulk of the world's knowledge is an imaginary construction. History is but a mode of imagining, of making us see civilizations that no longer appear upon the earth. Some of the most significant discoveries in modern science owe their origin to the imagination of men who had neither accurate knowledge nor exact instruments to demonstrate their beliefs. If astronomy had not kept always in advance of the telescope, no one would ever have thought a telescope worth making. What great invention has not existed in the inventor's mind long before he gave it tangible shape?

A more splendid example of imaginative knowledge is the unity with which philosophers start their study of the world. They can never perceive the world in its entire reality. Yet their imagination, with its magnificent allowance for error, its power of treating uncertainty as negligible, has pointed the way for empirical knowledge.

In their highest creative moments the great poet, the great musician cease to use the crude instruments of sight and hearing. They break away from their sense-moorings, rise on strong, compelling wings of spirit far above our misty hills and darkened valleys into the region of light, music, intellect.

What eye hath seen the glories of the New Jerusalem? What ear hath heard the music of the spheres, the steps of time, the strokes of chance, the blows of death? Men have not heard with their physical sense the tumult of sweet voices above the hills of Judea nor seen the heavenly vision; but millions have listened to that spiritual message through many ages.

Our blindness changes not a whit the course of inner realities. Of us it is as true as it is of the seeing that the most beautiful world is always entered through the imagination. If you wish to be something that you are not,—something fine, noble, good,—you shut your eyes, and for one dreamy moment you are that which you long to be.